About Me

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Sandi Underwood was born a PK (Preacher’s Kid) in the beautiful East Tennessee Mountains, where family stories were passed down, generation-to-generation. Her love of writing was cultivated at an early age when family get-togethers and Church dinners-on-the-grounds provided an idyllic backdrop for memories that fuel her stories. Sandi’s early career included working with children in both the public and private sectors. Later in life, her path took a different direction, but her love of books was ever-present. Today, she shares a home with her rescue dog, Gus, and draws inspiration from her grandchildren as she continues to write for both children and adults. Learn more at www.sandiunderwood.net and track her writing journey at www.sandiu.blogspot.com, follow her on Twitter @SandiGCY, and like her Facebook page at Sandi Underwood/gcywriter or email her at sandiu@comcast.net.

Tuesday, December 19, 2017

December 18, 2017: I’ve said this already a couple of times, but I continue to be amazed at how many closet writers have come forth since my book was published. To them, I always take a moment and encourage them to never give up. I’m reminded of what my critique partner repeated over and over: a winner is a loser who tried one more time. To anyone reading this who enjoys writing, I repeat what I know works: write and revise (and repeat), work with a good critique partner, market research, and submit, submit, submit. Be ready for the rejections--if you are afraid of rejections, there are many blogs out there that deal with this. Go read as many as you need. Pretty soon, you’ll understand why rejection is important to a writer; but equally important is to read what IS selling. If you write children’s books, read as many as you possibly can. If adult is your preferred genre, read all the best-sellers and then some. A good writer is a good reader--not to plagiarize, but to understand what the public is buying; also, you glean an understanding of what publishers want. This would be a great time to repeat last week’s advice to writers: plan, perseverance, and patience! My 3 “p’s” to publishing.

As Christmas approaches, it’s easy to get caught up in shopping and events; but the real reason for the season needs to stay front and center. I wish everyone a very Merry Christmas and the gift of the Savior’s birth.

Monday, December 11, 2017


December 11, 2017: First book signing. Check. Second book signing. Check. After a long day Saturday of not one, but two, book signings, I can honestly say I’m hooked.  Going from inside to a toasty 72 degrees with a blazing fireplace and beautiful decorations to a high of 35 degrees and continually dropping temperatures, a blustery wind and toes that I could no longer feel, I totally had a ball! So many friends came out and to them, I’m truly blessed. I even had one dear old family friend who drove two hours just to get here! I loved talking to people about my book, and there were so many people who truly were interested in the process. And of course, I met a young writer who had self-published her first book who was interested in continuing down the writer’s path by finding her own publisher. It was very enjoyable encouraging her and offering tips…tips my very own critique partner bestowed on me. I guess that’s the most enjoyable part--helping someone else along the way. We writers have to stick together! And write, of course.

Monday, December 4, 2017

 December 4, 2017: What a totally turmoil-filled week I’ve had. I enjoyed a lot of firsts: first time I held my book, my first surprise kick-off party from my co-workers, and my first and second book signings scheduled. As I travel down the writer’s path, I need to remind myself: a writer writes. I need to make sure not to become so consumed in the hoopla that I neglect the reason for the hoopla. I have several manuscripts in various stages, but unless I go back to Writing 101 (BIC-butt in chair), those stories will stagnate. So, with all the prep this weekend that goes along with the remodel of a bathroom, finishing the Christmas decorations, and schedules that demand my attention, I promise myself to squeeze in some quality writing time. Goal for Saturday: finish the revision of BLOOD MOON and begin the rewrite of ON A SCALE OF ONE TO TEN--my next target for publication. Goals are important--without them, I drift along, unfocused and worn out from the many things that cloud my mind. Focus is key to becoming a published author--that and stamina…because we all know, without those two things, writing careers would fall by the wayside. I remarked last night that over the last ten years in which I knuckled down and became serious about writing, along with the time and effort spent proofing and rewriting, sprinkled with the hundreds of rejections…the two contracts I’ve received to date just do not equal the effort. Factor in the sheer joy of becoming a published author and holding your first book in your hands, the reward is ginormous (a word taken directly from my first book).  Advice to struggling writers: plan, perseverance, and patience 

Monday, November 27, 2017

November 27, 2017, part 2: 

They’re here! The box with 50 copies of my first book arrived at 1:35pm on Monday, November 27th.  As I tore away the packaging, my first thought was what if they’re ugly? Where did that come from??? I had no way of knowing what my reaction would be, but I certainly didn’t expect that! I lovingly examined the front and back cover from crack to corner before opening the first page. I read the author’s bio, the acknowledgment and the dedication with tears in my eyes. From first word to finished product seemed like a lifetime, but holding the first copy shouted reality. I’m a published author! I quickly tore out of my office and across the hall, up and down the corridor shouting, “It’s here! It’s here!” Some of my coworkers even applauded. My second big news is that I have scheduled my first book signing! It doesn’t get any better than this! 


November 27, 2017:

Busy times! Tomorrow is the production day for my first book, THE SECRET AT ONE BELMONT LANE! It was back in March of this year when I signed the contract…and according to that contract, the publisher had until October 2018 to produce the book. Instead, the production date is November 28, 2017. What have I learned during the crossing over from a wannabe to published author (I still do a double take when I say that!)? I’ve learned a lot about hurry up and wait. There were several hurry up and return revisions, but wait around for long periods to hear back if the revision works. Even one of the publishers told me, “…and now you wait.” Luckily, I had other manuscripts to work on. One thing I’ve learned going forward (and I sure hope there is a ‘forward’) is after the next story is in the best possible shape it can be, work on the blurb. I was amazed at how difficult writing a blurb turned out to be. My suggestion is to read as many back covers possible in the same genre as your book, and tweak until the cows come home. One website stated to lead off with a description of the main character(s), give a brief synopsis of the plot, and end leaving the reader wanting more without giving away the story--all this in somewhere between 100 and 150 words. As I eagerly wait to hold my first book, the second revision on book #2--per that editor--should hit my inbox on December 17th. I will have ten days to make the changes and return the manuscript--all this during the Christmas holidays--all part of hurry up and wait. I wouldn’t have it any other way!

Monday, November 20, 2017

Below is my first interview!! Check out Nancy Kelly Allen's blog at http://nancykellyallen.blogspot.com


Sunday, November 19, 2017

Author Sandi Underwood

Today, I welcome Sandi Underwood, author extraordinaire, to my blog. What makes her extraordinaire? you might ask. Simple answer: She persevered. She didn’t give up her dream of writing a book after receiving a trunkful of rejection letters. She didn’t give up after years of editors saying, “No, thanks!”  

As with many authors, dreams entangle with rejection, and hope seems out of reach, impossible, actually. But when a contract is offered and the impossible becomes possible, it happens suddenly. It’s Sandi’s journey, and mine, too.  

I’ve worked with Sandi as my critique partner for the last 10 years. She’s helped take many of my manuscripts from impossible to possible. Now she has two books in the production line with traditional publishers. I’m so excited for her. She’s living proof that hard work pays off. 

NKA:  Welcome, Sandi. Tell us about your new book.

SU:  Thank you for this invitation. I began THE SECRET AT ONE BELMONT LANE back when my grandson was gearing up to enter sixth grade. I researched what that age group enjoyed and learned that books on shapeshifters were popular. Easy task, right? Not so for this grandmother. That’s probably why the story laid around and collected dust for several years—that grandson is a sophomore in high school now! In my story, the main characters are a pre-teen girl (Erin) and her nerdy neighbor (Elwood). I wanted to write a story that both boys and girls would enjoy. I threw in a sprinkle of Mom and Dad and added a spoonful of bizarre and a dash of unexplainable. The end result is suspenseful and creepy, at times.

NKA: I love mysteries and humorous fiction. THE SECRET AT ONE BELMONT LANE gives me both in one delicious read. Yum! This is your first book. How did your journey lead from dreaming about this book to actually getting a contract? 

SU:  I’ve written most of my life. Growing up, there were books everywhere—being a PK (preacher’s kid), my Dad was most-often found reading. I’ve always loved books, and writing just seemed like a natural path; however, there was a huge jump from writing for my own enjoyment and submitting to publishers. I think the first six years, I submitted around fourteen times and had two small magazine publications to show for it. I didn’t get serious until around 2010 and even then, I was inconsistent. It takes dedication that I definitely didn’t possess in the beginning and a great critique partner. Mine just happens to live in Kentucky and I live in Tennessee, but somehow we make it work. (Shout out to Nancy Kelly Allen for being the best critique partner known to mankind. Nancy and I “met” through an online writing group of four, and we are the last two standing.) I joined her group back in September 2007, and I can honestly say I wouldn’t have this first book without her patient guidance. The give-and-take between critique partners is one of the most important tools a writer can have, and I cannot emphasize enough the value it brings.  

NKA: I’m truly given more credit than I deserve, much more, to be truthful, but I echo Sandi in that working with a critique partner offers numerous advantages to writers.  

What is the theme of the book, the universal experience young readers will identify with? 

SU: As a mom of two boys, (a grandmother of seven and a great-Mimi to one beautiful four-month-old), I’ve read my share of children’s books. My story follows the two next-door neighbors as they stumble onto the big “secret” at One Belmont Lane. I wanted my characters to be believable since very little else in the book is. There are secret codes, suspense, danger and unexplainable events from beginning to end. It was also important that Erin and Elwood were the ones to solve the mystery. Sure, most of the events won’t happen to the young readers; but hopefully, the importance of working together will leave a lasting impression. I wrote about everyday activities and people in ordinary life…things we encounter every day…but with a twist. 

NKA: Books make great Christmas presents, so where can people buy a copy?  

SU:  The publication date for The Secret At One Belmont Lane is Tuesday, November 28, 2017. To pre-order click on this link: https://squareup.com/store/prospective-press/item/the-secret-at-one-belmont-lane.

            To learn more about me and my writing path, visit my website at www.sandiunderwood.net.  

NKA: Congratulations, Sandi. I’m sure young readers will enjoy your book as much as I did. Thanks for sharing your insight on the publishing journey. 

Call for Submissions for Young Writers:

Brilliant Star is a bi-monthly, print magazine for ages 8-12 published by the Baha'i faith. According to their website, "Brilliant Star invites children of all faiths to explore concepts that encourage their development as world citizens, such as appreciation for cultural and racial diversity, peace among all religions and nations, the equality of women and men, and the elimination of prejudices." Through fiction, non-fiction, activities, games, puzzles, comics, interviews, music, and expressive art, the magazine seeks to promote values of kindness, courage, creativity, and helpfulness.

Deadline: January 15, 2018


Call for Submissions for Adult Writers:

Spider (for ages 6-9) is looking for fiction, nonfiction, poetry, activities, crafts, and recipes on the theme It’s Raining Cats and Dogs. We want wacky and weird stories about kids and their pets—cats, dogs, parrots, horses, lizards, hamsters, gerbils, bunnies, chickens, fish, guinea pigs, snakes. Tell us about a special relationship with one prized pet or about a whole menagerie. Send us stories about heroism, friendship, loyalty, and odd talents. Take us to a pet or horse show, to the farm, to a city dog park, or in a suburban backyard. Submission guidelines: cricketmag.submittable.com/submit/17817/spider-magazine-for-ages-6-9 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

 

Monday, November 13, 2017


My Writing Buddy & Me

     Nov. 13, 2017 / Note to self: Never toot your horn until you sign the contract. I realized after I’d announced on social media about receiving a contract for BLOOD MONEY-- my adult mystery--that I hadn’t even read the contract. When I finally got around to reading it, the words “standard format is an eBook,” jumped out at me. I panicked. Yes, I like to read on my e-readers, but I also want a book to take to festivals and book signings. Instead of losing sleep and stressing, I should have emailed for clarification before posting the news. That rookie mistake could have caused huge embarrassment had I needed to backtrack. As luck would have it, or truly by the grace of God, the editor quickly dispelled my fears and assured me my book would go into print. Contracts are elusive and hard to come by, but they are the prize all authors seek. This author will make sure to do her due diligence from now on and cross all the T’s and dot all the I’s before shouting the news from the roof tops. No matter what, 2017 is ending on a stellar note for this author. It was many years in the making and many times, I gave up. This would be a good time to reiterate: A winner is a loser who tries one more time!

 




Monday, November 6, 2017


November 6, 2017: Oh happy day! Who expected a nice little email last night (Sunday!) from the preferred Publisher for BLOOD MONEY! Not me, for sure; but there it was…contract attached. I purposely didn’t open the contract until today. I wanted time to adjust…to stew, a bit. Did the second offer of a contract hold as much excitement? You bet’cha! I’m reading through the contract today and will probably sign sometime later and hit “send.” One thing I’m trying to wrap my head around is their statement that the publisher does not guarantee print copy--only eBook version. They go on to say that doesn’t mean they won’t print hard-copy. Matter of fact, I exchanged messages with two current authors who say this publisher does both. They just don’t guarantee mine will be in both formats. So, I had to look long and hard at what I should do. Then I realized I’m a hypocrite. How do I read most books? Digital format. But I want my book to be something I can hold, look at and love on. Do I give in to my desire to publish my 80k word Adult Mystery, or do I hold out for guaranteed print copy? I held out once before--this story placed in a contest in 2010 and the “prize” was the book would be sold online, only. I even believe you could order hard copy then; but, I decided I didn’t want to go that route. So for seven years, I tweaked and revised and even wrote a sequel…but the book is still mine. Did I write the story just for me, or am I ready to get it out there--however “out there” might be? Do I roll the dice, sign the contract, and hope I see it in print copy, or do I sit on it, again. A bird in the hand…means my second contract! Did I mention I received my second book contract? Woo Hoo!

Monday, October 30, 2017


It's fall, y'all. October 30, 2017
Be careful what you wish for! I know this sounds like a great problem to have, but I have 2 publishers interested in my adult mystery novel…at the same time (or are they?) Cue the suspense music: DA-DA-DA-DUM…Here’s the skinny: First a publisher asked for major revisions--which I was happy to do. It took three weeks, but my manuscript is definitely in its best shape ever. I sent that version back and waited. And waited. Then, a second publisher offered a contract. What to do? I researched both publishers, asked a couple questions to authors with each, and heard back mostly favorable reviews on both. I’m still leaning toward the first publisher, but she hasn’t responded to my last two emails now. Then I emailed the second one with a couple of questions, but (you guessed it!) I haven’t heard back from that one, either. Granted, it’s only been three or four days, but when you’re antsy, three or four days is an eternity! That old adage “a bird in the hand is worth two in the bush” might just apply here. Another one came to mind-“you snooze, you lose.” In the meantime, I have revisions I need to be concentrating on while trying to be a little more patient. What will be will be…

Saturday, October 14, 2017


 October 14, 2017: This week’s blog is a little early, but I have to let the good news out or I will burst! Remember all those weeks of waiting? Well, this past week was the polar opposite. On Monday, I returned a revision of my Adult Mystery (BLOOD MONEY) to an Editor, and on Friday the 13th my Publisher revealed the cover for THE SECRET OF ONE BELMONT LANE--plus I received the Editor’s final revision. The book is due out by year’s end, so this will be my third Saturday in a row chained to my laptop, BUT I LOVE IT!  What did the two revisions have in common? NOTHING. Each Editor requested different styles - of course, one is Adult genre and the other is Pre-Teen. Two different editors=two different writing styles. In the final revision of my children’s book, my Editor graciously pointed out a couple of boo-boos I’d missed. Would they have been okay as they were? Maybe, but thankfully, I have the opportunity to correct them. The only regret? My family is cheering on THE VOLS without me. GBO…especially THE PRIDE OF THE SOUTHLAND BAND!

Monday, October 9, 2017


October 9, 2017:  For the past 3 weekends, I’ve written (actually, revised) almost non-stop, my Adult-Mystery, BLOOD MONEY--which was due back to the Editor today. I said I would deliver it today, and I did! Deadlines are important to me, and it was important to make my story as good as possible. I hope I did that, but pushing “send” was challenging. Actually, even after I had the email ready to go, I clicked on the attachment one more time just to make sure the formatting was correct. I learned some interesting things during this revision: I use proper names ‘way too much. A great writer-friend pointed out to me when I’m engaged in a conversation, I rarely use the other person’s name. And certainly not over-and-over. That’s a good lesson, learned. I also learned that twice in the story, I discovered two major boo-boos on the plot--and this was after I thought the story was in ‘submit’ format. I just cannot proof on-screen. I need to print and proof, pen in hand, quiet room, no distractions. Also, what I have proved to myself is that I can be a writer. I can meet deadlines. I can always improve my story. Signature tags are not necessary, action is; and finally, I understand how important it is to improve yourself as a writer, too. Different editors want different things. Once you have a requested revision, concentrate on what that particular editor wants to see and deliver it. Now while I understand a contract is no done- deal on BLOOD MONEY, (the editor made that plain, they can still reject) however, my story is so much better with this intense revision. After a brief rest, I’ll be ready to revise book two-BLOOD MOON (which is completed). I realized during this last revision, I need to insert an important tie-in from book one. It need not be a huge rewrite, a line or two will suffice, but it’s imperative to the storyline. By doing so, that will set up book three (the final story in the trilogy of Baker Manor) and without this little tidbit, I have no book three. Takeaways: always print hard copy for the final revision. Be willing to do the work. There’s always room for improvement--if you’re lucky enough to get feedback from an editor, their opinion will always trump yours. Be willing to listen and learn.


 

Monday, October 2, 2017


October 2, 2017: I received some great news last week. My Adult Romance Mystery had a nibble from an editor. It made the first pass and will go to the contract panel, with my requested revisions. She warned there’s no guarantee, but what an awesome opportunity--to receive expert feedback on how to improve the manuscript. I’ve worked on it every day…sometimes until late into the night (11pm IS late into the night for someone who goes to bed at 9pm!) The editor also requested I age the MC. No problem. It didn’t take long to discover what a chore that is. In my case, I aged Alex eight years--which meant everyone connected needed to age, as well. Her language, dress, daily activities…all that changed in some way or another. The reason for the aging process? I marketed the story as New Adult and, according to this Editor, at least, that genre isn’t catching on like anticipated. Of course, I’m trying to sell the story. I’m going for a contract. You bet, I’ll make the requested changes. And have fun doing it! I love this process. It’s that darn first draft that’s hard. This part is the icing on the cake. Forget the fact I missed two home college ballgames, and the opportunity to watch my granddaughter march in the greatest college band in the nation. I have a story to revise! After toiling almost every night, all day Saturday, and half a day on Sunday, I’m almost finished with the first two revisions of a three-part revision plan. The first two were to remove most of the signature tags (he said/she said) and replace them with action so the reader would know who is speaking. Ex.: Alex walked to the door. “Are you coming?” instead of: “Are you coming?” Alex asked. The second revision involved the “find” option in Word. The words I’m finding and replacing (as many as possible) include: have, had, was, is, are, be, just, and that. After this revision is complete, I will print hard copy and proof one final time before returning the manuscript. Here’s hoping, fingers crossed, and prayers said.


 

Monday, September 25, 2017


September 25, 2017 - almost the end of September??? Am I in a warp zone?

Last week I touched on what I enjoy reading for pleasure; today, I’ll mention a couple of things I found helpful when writing children’s books. People have asked me if writing for children is easier than writing for adults. Since I attempt both, I feel equipped to answer: NO. For picture books, telling the story in five-hundred words or less can be daunting, to say the least. Add to that, the path to finding the right tone is harder than it might seem. Words that are lyrical and appealing, that peak interest and tickle the funny bone at the same time, and sometimes encourage and uplift without coming across as “preachy,” oftentimes elude me. The best way to improve writing for children is to read, read, read. I can’t say it enough. For my elementary-grade book coming out soon (The Secret of One Belmont Lane), I wanted to write a story for my grandson who was (at that time) entering sixth grade. I read everything I could get my hands on for that age group. I googled best-sellers, top tens and read blogs. I took copious notes. I chose a subject I knew nothing about: shapeshifters. In that story, as in all of my stories, I spent a lot of time analyzing my characters. I’ve said this before, but it remains true today--my characters become so real to me I feel bad when I forget their birthdays. For one of my MCs in SECRET, my character outline might look something like this:

Elwood: 10 years old. Dark frame glasses-never in place. Hair sticks up in crown and falls across his eyes. Allergies. Talks with his mouth full. Big on secret codes, spies, conspiracy theories. Pain in the butt. Good student. No sports. Not many friends.

I often develop every character before the first outline. I even rank them from one-ten on importance to the story. Elwood has the number two (#2) after his name--he was the second biggest character in my story. Some of those characteristics never made it into my story, but each one was important in helping me to develop Elwood, to speak in his voice, and to paint pictures about him using words. Of course, having a successful children’s author as a critique partner doesn’t hurt, either. I was lucky enough to assist Nancy Kelly Allen in a small way in one of her books recently on Alzheimer’s. The skill that goes into each of her books is astounding--and so very encouraging that she shares it with a new author. You can find her book on Alzheimer’s (The Riddlers) here: http://www.nancykellyallen.com/the-riddlers.html.

Monday, September 18, 2017


September 18, 2017:

The temperatures have been flirty around these parts. That’s about the nicest thing I can say about the cool nights and crisp mornings in E. TN. I’m not a fan of cold weather, but if I could curl up with a good book, a cup of hot chocolate and stay inside, I could stand it for a day or so. To that end, I’ve compiled a list of my favorite authors (adult genre)--and why: Current Best Sellers - David Baldacci, Patterson’s Alex Cross series, Catherine Coulter - many of the CIA mystery writers. I seem to gravitate toward a good government mystery with a strong plot and captivating setting; but I also like Nora Roberts, Diana Gabaldon (“Aye, Lass.”), Sandra Brown and anything written about the Carolina low country. As for classics--the usuals: the Bronte sisters, Jane Austen (I loved Emma’s “I have never been in love, it’s not my way or my nature, and I don’t think I ever shall.” You just know something good is about to happen!); but as for the more-recent past, I’ve always been a huge fan of Hemingway’s. His life, his marriages, his homes--all make for great reading material. I read once there was twenty times more written about him than he, himself, actually wrote. However, his writing style is what fascinates me most. He believed if a writer was good enough, he could omit a lot of backstory and the reader would never miss a beat. I like that. I strive to be good enough to write a strong story without saying the same thing three different ways or say the same thing three different times. See what I just did there? I said the same thing twice. I’m such a WIP.  However, for all my writing buddies, this is a good exercise: what kind of reading material are you drawn to and why?

Monday, September 11, 2017


September 11, 2017 -

I was amazed to learn when spell checking my latest WIP, the program highlighted certain groupings of words as incorrect. According to the program, split infinitives are a no-no. I set out to learn all I could in a short time about split infinitives…you know, I GOOGLED it--and here’s what I learned:

SPLIT INFINITIVES are a construction of words consisting of an infinitive with an adverb or other word inserted between to and the verb, e.g., she seems to really like it.

I seem to have a real issue with split infinitives. It’s almost like I can’t help myself. Are they needed? Not one bit. Does the sentence mean the same without splitting the infinitive? Of course. So again, “to really like it” means the same as “to like it.”

Yeah, but how do I convey the meaning that someone REALLY likes it? I remember an earlier blog where I wrote about the sins of being a lazy writer. Go back and read that blog--it refers to a different kind of being lazy, but the point is the same. Once I’m aware of poorly-written text, I must improve. So “to boldly go…” should be something like “to go where no man has gone before, eyes determined, body rigid, steps purposeful.” Or you can split the darn infinitive and leave it as “to boldly go.” From what I glean, there is no hard rule against using a split infinitive. After all, if it was good enough for Shakespeare, it’s good enough for me. To be or to really be…that is my question.

Update: I received an email late Saturday stating my Editors were hoping to up my release date to October of THIS YEAR. Like, in a few weeks? I haven’t even begun the requested revision. Is that even possible, you might ask. Stay tuned.

Monday, August 28, 2017

🏈🎃
Last Monday in August 2017!

Where did summer go? Autumn arrives on September 22nd.  Boy, the older I get, the quicker time flies. Other things I’ve noticed as I’ve gotten older: According to that Randy Travis song… “Old men sit and talk about the weather. Old women sit and talk about old men.” I talk a lot about time. I also talk about weather, and sometimes I even talk about old men. Looking back over past posts in this blog, I’ve written about all three. (The old man was Ernest Hemingway) 

One thing I did learn over the weekend was how important the opening sentence is of every story, (I already knew this, but it’s always good to be reminded of little treasures). If you grab your reader at the beginning, half the battle is won. Next, make sure the chapter ending is a page-turner. Drop little hints of what is to come--two important steps in holding your reader’s attention.

 Next week: another thing I learned over the weekend involved the dreaded split infinitive, or to boldly go where no man has gone before. Is there really a rule against that???

 Oh and by the way, I just heard from my Editor, (like JUST NOW)--another revision is coming my way. When they say they work on the book until it is the best it can be, they mean it! Woo hoo! I’m up for it! It's getting closer and closer, folks. Coming soon-THE SECRET AT ONE BELMONT LANE.

Monday, August 21, 2017



Eclipse Day 2017:

This is the day of two dawns. Total Eclipse is a phenomenon not seen in most areas for 99 years, (per the Weather Channel this morning). I’ve read articles saying even animals will behave differently. Humans will stall traffic on the interstate; and four weeks ago, little old Sweetwater, TN-our local Epi Center, was calling for a shortage of milk and bread. Now that’s something with which we here in TN can identify. Let the forecast call for an inch of snow, and we flock to the store for our bread and milk.

Me? I’m hoping my abnormal paranormal occurrence is to get a book contract. However, last night, I had another rejection. I allowed myself fifteen-minutes to wallow in self-pity, then I vowed to try again; but first, I will have a re-look at the manuscript. I’m sure there’s room for improvement. After all, winners don’t quit and quitters don’t win.

Tuesday, August 15, 2017


August 14, 2017: Image result for drowning

There’s always encouragement to be found. Read lots of blogs. Study grammar rules. Research a new angle - this one is a particular favorite of mine. I love research. But sometimes, it just helps to know you aren’t drowning alone in the rejection pool. Check out some famous authors and how long it took them to make it:

·        1.  Chinua Achebe’s first novel, Things Fall Apart, was rejected by several London publishers on the argument that books from African writers wouldn’t sell. Heinemann took it on after some initial hesitation, and the novel has now sold more than 8 million copies in 50 languages.

·        2.  Richard Adams’ Watership Down  received 17 rejections before it was picked up by a one-man publishing firm. “Do you think I’m mad?” Rex Collings wrote to a friend before taking a risk that paid off big for both him and Adams.

·        3.  Judy Blume got nothing but rejections for the first two years of her writing career. She says the rejections from Highlights for Children were so embarrassing that the sight of a copy of Highlights still makes her wince.

·        4.  John le Carré had published two novels before The Spy Who Came In From The Cold, but the editor who rejected his latest manuscript believed the writer hadn’t “got any future.” The novel became a bestseller and one of his most famous works, along with Tinker Tailor Soldier Spy.

·        5.  E.E. Cummings not only had difficulty getting his first book published but also, after several publications, self-published six volumes of his work in the 1930s when he was unable to get them published any other way.

·        6.  William Golding published his first novel, Lord of the Flies, after 21 rejections.

·        7.  Zane Grey’s first experience getting paid for what he scribbled came when he sold a short story for ten dollars in 1902. His first novel, written the following winter, was not as successful, and when every publisher he submitted to rejected the work, his wife paid to have it published. The book did not turn a profit. If Grey was discouraged by this, he luckily got over the discouragement enough to become a prolific and widely-read author. The sales of his 90 or so books have exceeded 40 million copies.

·        8.  Frank Herbert first published his seminal work Dune in installments in Analog magazine, but when he tried to sell it as a novel he received twenty or so rejections from major publishers. One editor wrote prophetically in his rejection, “I may be making the mistake of the decade, but…”

·        9.  Tony Hillerman, an award-winning and bestselling author known for his Navajo Tribal Police series of mystery novels, was advised “to get rid of all that Indian stuff” by an editor who rejected The Blessing Way. That editor may have missed the point, but an editor at Harper & Row didn’t make the same mistake.

·        10.  Jack Kerouac’s On The Road became the defining novel of the Beat generation, but an editor who rejected the manuscript wrote, “I don’t dig this one at all.”

·        11.  Stephen King sounds downright proud of the number of times he was rejected as a young writer. In his On Writing, he says he pinned every rejection letter he received to his wall with a nail. “By the time I was fourteen,” he continues, “the nail in my wall would no longer support the weight of the rejection slips impaled upon it. I replaced the nail with a spike and went on writing.”

·        12.  Ursula K. Le Guin has preserved for posterity a rejection letter in which an editor calls The Left Hand of Darkness “unreadable.” Being kind, she has withheld the editor’s name, and presumably this unnamed editor was already pretty embarrassed when the novel went on to win a Nebula Award in 1969 and a Hugo in 1970.

·        13.  Jack London, rather like Stephen King, kept his rejection letters impaled on a sort of spindle. The impaled letters eventually reached a height of four feet.

·        14.  L.M. Montgomery was so discouraged by a string of rejections that she put the manuscript of Anne of Green Gables, her first novel, away in a hat box for two years. When she took it out again, she found a publisher within a year and a little later her novel was a bestseller.

·        15.  George Orwell was rejected by no less than T.S. Eliot, then editorial director at Faber & Faber, who wrote in a letter in 1944 that Animal Farm could “keep one’s interest” but as political allegory it was “not convincing.”

·        16.  Robert M. Pirsig weathered an amazing 121 rejections before selling Zen and the Art of Motorcycle Maintenance, a book now considered an American cultural icon.

·        17.  Sylvia Plath was an established poet when she sent The Bell Jar out under the pseudonym Victoria Lucas. An editor Knopf rejected it twice: once with no knowledge of who the author actually was, and once with the knowledge of her identity. The editor wrote that Plath’s name “added considerably to [The Bell Jar’s] interest,” but “it still is not much of a novel.”

·        18.  Beatrix Potter decided to self-publish The Tale of Peter Rabbit after rejection letters started to pile up. The original run was 250 copies; the book has now sold over 45 million copies.

·        19.  J.K. Rowling, the great literary success story, failed to sell Harry Potter and the Philosopher’s Stone to 12 different publishers until the daughter of an editor at Bloomsbury Publishing took an interest in it. Harry Potter is now worth at least $15 billion.

·        20.  Dr. Seuss suffered through 27 rejections when trying to sell his first story. He gave the credit for finally selling And To Think That I Saw It On Mulberry Street to the sheer dumb luck of running into a friend who worked in publishing on the street.

·        21.  Gertrude Stein’s poetry may be famously idiosyncratic, not to say esoteric, but it didn’t stop her from becoming a pioneering Modernist writer and a central figure of the “Lost Generation.” Neither was she apparently hindered by the editor who parodied her style in his rejection letter, telling her that “hardly one copy would sell here. Hardly one. Hardly one.”

·        22.  Kathryn Stockett was turned down by 60 literary agents before she found someone willing to represent The Help. “Three weeks later,” she says, “we sold the book.” The Help later spent 100 weeks on the New York Times bestseller list.

·        23.  H.G. Wells received a note in which the editor predicted, “I think the verdict would be, ‘Oh, don’t read that horrid book.’” Nevertheless, The War of the Worlds was published in 1898 and has not since gone out of print.

 

Monday, August 7, 2017


August 7, 2017:  https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcQSepD7IlS3bdWOsciL-LBy4wSCm-gJB151FiQ7IJkUFBqkK2UabDOp_Ng

 https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcQSepD7IlS3bdWOsciL-LBy4wSCm-gJB151FiQ7IJkUFBqkK2UabDOp_Ng  In a funk, lots of junk, feeling sunk, want my bunk. What to do when nothing new and exciting is happening or how Sandi found her mojo. It happens; even to the least of us…nothing new is happening with my writing. I’m in ‘wait mode.’ Sure, I’m working on revisions. Sure, I’ve got new projects to get off the ground. Sure, I have ‘way too much on my mind to be productive. Why is it we always come up with the idea that if we could have/do/be one more thing, everything would be perfect? Here are some things that cause my writing career to go haywire:
1.      If I could sit on a beach somewhere, I could be inspired to write every day
2.      If I sold my house and downsized, decluttered, I could be inspired to write every day
3.      If I didn’t have to go to bed early in order to get up early to go to work, I could be inspired to write every day

Why does life get in the way? But if I’m feeling it…successful writers must be dealing with this same negative muse, as well. What to do when the “funk muse” attacks? I could wallow in self-pity and do nothing, or I can face it head-on and squelch the clouds of “I can’ts” drifting around in my head. I know! I’ll write an article on how to defeat the “funk muse.”
1.      First, clad your body in armor. If you don’t have armor, wrap yourself in aluminum foil.
2.      Every time the little negative voice in your head starts yapping, do 40 lunges and stand on your head for 40 minutes.
3.      Find some tulips and tiptoe through them.
4.      Or just sit at your computer and stare at a blank screen. Write the first word that comes to mind. Develop an outline and write that story.

Stay tuned for the Adventures of Riley, the Green Bean.

(When all else fails, go back to your current WIP. A bad story is better than no story at all. Remember: BIC.)

Monday, July 31, 2017

😵😳😭😒😒😒😳😬😬😬😢
July 31, 2017: Thank you, but not for us….
Another rejection on my Adult Romance/Suspense. “Not for us…” That seems to be a phrase overused by publishers when the answer is no. But it’s encouraging when they go on to explain that just because it isn’t a fit for us, doesn’t mean it won’t work somewhere else. In a perfect world, they would mention where it would work...but I guess that perfect world doesn’t exist for writers. So another one comes off the list. Lucky for me, I still have 6 would-be publishers still on the hook for that particular manuscript, but this weekend will be another marketing blitz to identify still other opportunities. This publisher did mention something I hadn’t heard before: should you do a major rewrite on this manuscript, please consider re-submitting to us after six months. Hmmm….I love options. So this reinforces the idea there’s always room for improvement. I’ve read many times that some authors refuse to revise. It just makes sense if you see rejection after rejection, something isn’t working. Maybe the plot is good, but the story has weak spots. Or maybe the backstory doesn’t work with the main plot. Earlier, I mentioned a list I’m using to determine if/when the story is ready to submit.
1.            What does each character contribute to the story?
2.            Did I tie up his/her story line?
3.            Are all his/her scenes as believable as possible?
My list of priorities mentioned in last week’s blog just got a new item added to the secondary list: revise BLOOD MONEY, using the list above. Instead of getting depressed and giving up, I’m more determined than ever! Remember: my success/failure is directly a result of my actions - if I don’t try, I’ll never succeed.
But here's something to make you smile - a recent picture of my writing assistant.