About Me

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Sandi Underwood was born a PK (Preacher’s Kid) in the beautiful East Tennessee Mountains, where family stories were passed down, generation-to-generation. Her love of writing was cultivated at an early age when family get-togethers and Church dinners-on-the-grounds provided an idyllic backdrop for memories that fuel her stories. Sandi’s early career included working with children in both the public and private sectors. Later in life, her path took a different direction, but her love of books was ever-present. Today, she shares a home with her rescue dog, Gus, and draws inspiration from her grandchildren as she continues to write for both children and adults. Learn more at www.sandiunderwood.net and track her writing journey at www.sandiu.blogspot.com, follow her on Twitter @SandiGCY, and like her Facebook page at Sandi Underwood/gcywriter or email her at sandiu@comcast.net.

Monday, September 25, 2017


September 25, 2017 - almost the end of September??? Am I in a warp zone?

Last week I touched on what I enjoy reading for pleasure; today, I’ll mention a couple of things I found helpful when writing children’s books. People have asked me if writing for children is easier than writing for adults. Since I attempt both, I feel equipped to answer: NO. For picture books, telling the story in five-hundred words or less can be daunting, to say the least. Add to that, the path to finding the right tone is harder than it might seem. Words that are lyrical and appealing, that peak interest and tickle the funny bone at the same time, and sometimes encourage and uplift without coming across as “preachy,” oftentimes elude me. The best way to improve writing for children is to read, read, read. I can’t say it enough. For my elementary-grade book coming out soon (The Secret of One Belmont Lane), I wanted to write a story for my grandson who was (at that time) entering sixth grade. I read everything I could get my hands on for that age group. I googled best-sellers, top tens and read blogs. I took copious notes. I chose a subject I knew nothing about: shapeshifters. In that story, as in all of my stories, I spent a lot of time analyzing my characters. I’ve said this before, but it remains true today--my characters become so real to me I feel bad when I forget their birthdays. For one of my MCs in SECRET, my character outline might look something like this:

Elwood: 10 years old. Dark frame glasses-never in place. Hair sticks up in crown and falls across his eyes. Allergies. Talks with his mouth full. Big on secret codes, spies, conspiracy theories. Pain in the butt. Good student. No sports. Not many friends.

I often develop every character before the first outline. I even rank them from one-ten on importance to the story. Elwood has the number two (#2) after his name--he was the second biggest character in my story. Some of those characteristics never made it into my story, but each one was important in helping me to develop Elwood, to speak in his voice, and to paint pictures about him using words. Of course, having a successful children’s author as a critique partner doesn’t hurt, either. I was lucky enough to assist Nancy Kelly Allen in a small way in one of her books recently on Alzheimer’s. The skill that goes into each of her books is astounding--and so very encouraging that she shares it with a new author. You can find her book on Alzheimer’s (The Riddlers) here: http://www.nancykellyallen.com/the-riddlers.html.

Monday, September 18, 2017


September 18, 2017:

The temperatures have been flirty around these parts. That’s about the nicest thing I can say about the cool nights and crisp mornings in E. TN. I’m not a fan of cold weather, but if I could curl up with a good book, a cup of hot chocolate and stay inside, I could stand it for a day or so. To that end, I’ve compiled a list of my favorite authors (adult genre)--and why: Current Best Sellers - David Baldacci, Patterson’s Alex Cross series, Catherine Coulter - many of the CIA mystery writers. I seem to gravitate toward a good government mystery with a strong plot and captivating setting; but I also like Nora Roberts, Diana Gabaldon (“Aye, Lass.”), Sandra Brown and anything written about the Carolina low country. As for classics--the usuals: the Bronte sisters, Jane Austen (I loved Emma’s “I have never been in love, it’s not my way or my nature, and I don’t think I ever shall.” You just know something good is about to happen!); but as for the more-recent past, I’ve always been a huge fan of Hemingway’s. His life, his marriages, his homes--all make for great reading material. I read once there was twenty times more written about him than he, himself, actually wrote. However, his writing style is what fascinates me most. He believed if a writer was good enough, he could omit a lot of backstory and the reader would never miss a beat. I like that. I strive to be good enough to write a strong story without saying the same thing three different ways or say the same thing three different times. See what I just did there? I said the same thing twice. I’m such a WIP.  However, for all my writing buddies, this is a good exercise: what kind of reading material are you drawn to and why?

Monday, September 11, 2017


September 11, 2017 -

I was amazed to learn when spell checking my latest WIP, the program highlighted certain groupings of words as incorrect. According to the program, split infinitives are a no-no. I set out to learn all I could in a short time about split infinitives…you know, I GOOGLED it--and here’s what I learned:

SPLIT INFINITIVES are a construction of words consisting of an infinitive with an adverb or other word inserted between to and the verb, e.g., she seems to really like it.

I seem to have a real issue with split infinitives. It’s almost like I can’t help myself. Are they needed? Not one bit. Does the sentence mean the same without splitting the infinitive? Of course. So again, “to really like it” means the same as “to like it.”

Yeah, but how do I convey the meaning that someone REALLY likes it? I remember an earlier blog where I wrote about the sins of being a lazy writer. Go back and read that blog--it refers to a different kind of being lazy, but the point is the same. Once I’m aware of poorly-written text, I must improve. So “to boldly go…” should be something like “to go where no man has gone before, eyes determined, body rigid, steps purposeful.” Or you can split the darn infinitive and leave it as “to boldly go.” From what I glean, there is no hard rule against using a split infinitive. After all, if it was good enough for Shakespeare, it’s good enough for me. To be or to really be…that is my question.

Update: I received an email late Saturday stating my Editors were hoping to up my release date to October of THIS YEAR. Like, in a few weeks? I haven’t even begun the requested revision. Is that even possible, you might ask. Stay tuned.

Monday, August 28, 2017

🏈🎃
Last Monday in August 2017!

Where did summer go? Autumn arrives on September 22nd.  Boy, the older I get, the quicker time flies. Other things I’ve noticed as I’ve gotten older: According to that Randy Travis song… “Old men sit and talk about the weather. Old women sit and talk about old men.” I talk a lot about time. I also talk about weather, and sometimes I even talk about old men. Looking back over past posts in this blog, I’ve written about all three. (The old man was Ernest Hemingway) 

One thing I did learn over the weekend was how important the opening sentence is of every story, (I already knew this, but it’s always good to be reminded of little treasures). If you grab your reader at the beginning, half the battle is won. Next, make sure the chapter ending is a page-turner. Drop little hints of what is to come--two important steps in holding your reader’s attention.

 Next week: another thing I learned over the weekend involved the dreaded split infinitive, or to boldly go where no man has gone before. Is there really a rule against that???

 Oh and by the way, I just heard from my Editor, (like JUST NOW)--another revision is coming my way. When they say they work on the book until it is the best it can be, they mean it! Woo hoo! I’m up for it! It's getting closer and closer, folks. Coming soon-THE SECRET AT ONE BELMONT LANE.

Monday, August 21, 2017



Eclipse Day 2017:

This is the day of two dawns. Total Eclipse is a phenomenon not seen in most areas for 99 years, (per the Weather Channel this morning). I’ve read articles saying even animals will behave differently. Humans will stall traffic on the interstate; and four weeks ago, little old Sweetwater, TN-our local Epi Center, was calling for a shortage of milk and bread. Now that’s something with which we here in TN can identify. Let the forecast call for an inch of snow, and we flock to the store for our bread and milk.

Me? I’m hoping my abnormal paranormal occurrence is to get a book contract. However, last night, I had another rejection. I allowed myself fifteen-minutes to wallow in self-pity, then I vowed to try again; but first, I will have a re-look at the manuscript. I’m sure there’s room for improvement. After all, winners don’t quit and quitters don’t win.

Tuesday, August 15, 2017


August 14, 2017: Image result for drowning

There’s always encouragement to be found. Read lots of blogs. Study grammar rules. Research a new angle - this one is a particular favorite of mine. I love research. But sometimes, it just helps to know you aren’t drowning alone in the rejection pool. Check out some famous authors and how long it took them to make it:

·        1.  Chinua Achebe’s first novel, Things Fall Apart, was rejected by several London publishers on the argument that books from African writers wouldn’t sell. Heinemann took it on after some initial hesitation, and the novel has now sold more than 8 million copies in 50 languages.

·        2.  Richard Adams’ Watership Down  received 17 rejections before it was picked up by a one-man publishing firm. “Do you think I’m mad?” Rex Collings wrote to a friend before taking a risk that paid off big for both him and Adams.

·        3.  Judy Blume got nothing but rejections for the first two years of her writing career. She says the rejections from Highlights for Children were so embarrassing that the sight of a copy of Highlights still makes her wince.

·        4.  John le Carré had published two novels before The Spy Who Came In From The Cold, but the editor who rejected his latest manuscript believed the writer hadn’t “got any future.” The novel became a bestseller and one of his most famous works, along with Tinker Tailor Soldier Spy.

·        5.  E.E. Cummings not only had difficulty getting his first book published but also, after several publications, self-published six volumes of his work in the 1930s when he was unable to get them published any other way.

·        6.  William Golding published his first novel, Lord of the Flies, after 21 rejections.

·        7.  Zane Grey’s first experience getting paid for what he scribbled came when he sold a short story for ten dollars in 1902. His first novel, written the following winter, was not as successful, and when every publisher he submitted to rejected the work, his wife paid to have it published. The book did not turn a profit. If Grey was discouraged by this, he luckily got over the discouragement enough to become a prolific and widely-read author. The sales of his 90 or so books have exceeded 40 million copies.

·        8.  Frank Herbert first published his seminal work Dune in installments in Analog magazine, but when he tried to sell it as a novel he received twenty or so rejections from major publishers. One editor wrote prophetically in his rejection, “I may be making the mistake of the decade, but…”

·        9.  Tony Hillerman, an award-winning and bestselling author known for his Navajo Tribal Police series of mystery novels, was advised “to get rid of all that Indian stuff” by an editor who rejected The Blessing Way. That editor may have missed the point, but an editor at Harper & Row didn’t make the same mistake.

·        10.  Jack Kerouac’s On The Road became the defining novel of the Beat generation, but an editor who rejected the manuscript wrote, “I don’t dig this one at all.”

·        11.  Stephen King sounds downright proud of the number of times he was rejected as a young writer. In his On Writing, he says he pinned every rejection letter he received to his wall with a nail. “By the time I was fourteen,” he continues, “the nail in my wall would no longer support the weight of the rejection slips impaled upon it. I replaced the nail with a spike and went on writing.”

·        12.  Ursula K. Le Guin has preserved for posterity a rejection letter in which an editor calls The Left Hand of Darkness “unreadable.” Being kind, she has withheld the editor’s name, and presumably this unnamed editor was already pretty embarrassed when the novel went on to win a Nebula Award in 1969 and a Hugo in 1970.

·        13.  Jack London, rather like Stephen King, kept his rejection letters impaled on a sort of spindle. The impaled letters eventually reached a height of four feet.

·        14.  L.M. Montgomery was so discouraged by a string of rejections that she put the manuscript of Anne of Green Gables, her first novel, away in a hat box for two years. When she took it out again, she found a publisher within a year and a little later her novel was a bestseller.

·        15.  George Orwell was rejected by no less than T.S. Eliot, then editorial director at Faber & Faber, who wrote in a letter in 1944 that Animal Farm could “keep one’s interest” but as political allegory it was “not convincing.”

·        16.  Robert M. Pirsig weathered an amazing 121 rejections before selling Zen and the Art of Motorcycle Maintenance, a book now considered an American cultural icon.

·        17.  Sylvia Plath was an established poet when she sent The Bell Jar out under the pseudonym Victoria Lucas. An editor Knopf rejected it twice: once with no knowledge of who the author actually was, and once with the knowledge of her identity. The editor wrote that Plath’s name “added considerably to [The Bell Jar’s] interest,” but “it still is not much of a novel.”

·        18.  Beatrix Potter decided to self-publish The Tale of Peter Rabbit after rejection letters started to pile up. The original run was 250 copies; the book has now sold over 45 million copies.

·        19.  J.K. Rowling, the great literary success story, failed to sell Harry Potter and the Philosopher’s Stone to 12 different publishers until the daughter of an editor at Bloomsbury Publishing took an interest in it. Harry Potter is now worth at least $15 billion.

·        20.  Dr. Seuss suffered through 27 rejections when trying to sell his first story. He gave the credit for finally selling And To Think That I Saw It On Mulberry Street to the sheer dumb luck of running into a friend who worked in publishing on the street.

·        21.  Gertrude Stein’s poetry may be famously idiosyncratic, not to say esoteric, but it didn’t stop her from becoming a pioneering Modernist writer and a central figure of the “Lost Generation.” Neither was she apparently hindered by the editor who parodied her style in his rejection letter, telling her that “hardly one copy would sell here. Hardly one. Hardly one.”

·        22.  Kathryn Stockett was turned down by 60 literary agents before she found someone willing to represent The Help. “Three weeks later,” she says, “we sold the book.” The Help later spent 100 weeks on the New York Times bestseller list.

·        23.  H.G. Wells received a note in which the editor predicted, “I think the verdict would be, ‘Oh, don’t read that horrid book.’” Nevertheless, The War of the Worlds was published in 1898 and has not since gone out of print.

 

Monday, August 7, 2017


August 7, 2017:  https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcQSepD7IlS3bdWOsciL-LBy4wSCm-gJB151FiQ7IJkUFBqkK2UabDOp_Ng

 https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcQSepD7IlS3bdWOsciL-LBy4wSCm-gJB151FiQ7IJkUFBqkK2UabDOp_Ng  In a funk, lots of junk, feeling sunk, want my bunk. What to do when nothing new and exciting is happening or how Sandi found her mojo. It happens; even to the least of us…nothing new is happening with my writing. I’m in ‘wait mode.’ Sure, I’m working on revisions. Sure, I’ve got new projects to get off the ground. Sure, I have ‘way too much on my mind to be productive. Why is it we always come up with the idea that if we could have/do/be one more thing, everything would be perfect? Here are some things that cause my writing career to go haywire:
1.      If I could sit on a beach somewhere, I could be inspired to write every day
2.      If I sold my house and downsized, decluttered, I could be inspired to write every day
3.      If I didn’t have to go to bed early in order to get up early to go to work, I could be inspired to write every day

Why does life get in the way? But if I’m feeling it…successful writers must be dealing with this same negative muse, as well. What to do when the “funk muse” attacks? I could wallow in self-pity and do nothing, or I can face it head-on and squelch the clouds of “I can’ts” drifting around in my head. I know! I’ll write an article on how to defeat the “funk muse.”
1.      First, clad your body in armor. If you don’t have armor, wrap yourself in aluminum foil.
2.      Every time the little negative voice in your head starts yapping, do 40 lunges and stand on your head for 40 minutes.
3.      Find some tulips and tiptoe through them.
4.      Or just sit at your computer and stare at a blank screen. Write the first word that comes to mind. Develop an outline and write that story.

Stay tuned for the Adventures of Riley, the Green Bean.

(When all else fails, go back to your current WIP. A bad story is better than no story at all. Remember: BIC.)