March 27th
Woo hoo, again!
Last week I received notes from my
publisher. Notice how that just rolls off my tongue, “my publisher.” (Still
pinching myself!) Anyway, these notes were from the submissions editor and
excitement filled my soul. He made me feel good about the whole process of
re-writing. His comments spurred new story lines and understanding of my own
manuscript. He pointed out I would be able to see what my readers would think
and feel. He was quick to point out what worked and what didn’t. Rather than
take offense, I was elated! Now, I’m used to getting good feedback from my
critique partner and I’ve come to expect honesty – I don’t need someone to pat
me on the back and tell me it’s good, when it’s not. That’s the difference
between a good critique partner and a bad one. Me, I’ve got a good one. So when
my editor apologized if he came across as tough and critical, I took it as
positive feedback. So here goes. Someone send me toothpicks for my eyes.
Stress. The word for the day. Will the editor like my
revision? Am I on the right track? What does he mean by that comment? Heaven Help Me! But when I read the revised copy, my
heart sang! The changes made my story so much better and probably made me a
better writer. After all, if I can’t commit what I see in my own mind to paper,
how will anyone else see it?
Take away: Editor’s Note: I can feel your excitement in the story, because
you know what happened; but unless you write it down--what you actually saw and
felt, the dark versus light, the dampness and smell, I have to take your word
for it. Make me experience it, too.
2 comments:
Excellent comments from your editor. Of course, you ALWAYS receive excellent comments from you critique partner. Lol!
Indeed I do, Miss Nancy! A good critique partner is worth a pound of gold - or whatever is currently trending on the stock market. :-)
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