About Me

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Sandi Underwood was born a PK (Preacher’s Kid) in the beautiful East Tennessee Mountains, where family stories were passed down, generation-to-generation. Her love of writing was cultivated at an early age when family get-togethers and Church dinners-on-the-grounds provided an idyllic backdrop for memories that fuel her stories. Sandi’s early career included working with children in both the public and private sectors. Later in life, her path took a different direction, but her love of books was ever-present. Today, she shares a home with her rescue dog, Gus, and draws inspiration from her grandchildren as she continues to write for both children and adults. Learn more at www.sandiunderwood.net and track her writing journey at www.sandiu.blogspot.com, follow her on Twitter @SandiGCY, and like her Facebook page at Sandi Underwood/gcywriter or email her at sandiu@comcast.net.

Monday, January 21, 2013

Week 3:

Show, don’t tell. Ever writing class, every workshop, everything I know about writing preaches this concept. SHOW, DON’T TELL. This is the equivalent of rushing into a room and acting out (a la charades) that the house is on fire!


MOUNTAIN LAUREL begins with the single-most horrifying event in Laurel’s life-she was thirteen when Hattie Myers died. The South is known for their funerals and this one would prove to be the granddaddy of them all. When I began the story, I had to describe the events—hence the outline. I used the outline to set the stage. I used bullet points to add detail. Many, many rewrites later, I used that outline and begin the chapter where the action really begins—Miss Ella Mae Myers lying spread-eagle on her dead-as-a-doornail sister’s body. My story opens with a scream. So does life, when you get to thinking about it.

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