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Sandi Underwood was born a PK (Preacher’s Kid) in the beautiful East Tennessee Mountains, where family stories were passed down, generation-to-generation. Her love of writing was cultivated at an early age when family get-togethers and Church dinners-on-the-grounds provided an idyllic backdrop for memories that fuel her stories. Sandi’s early career included working with children in both the public and private sectors. Later in life, her path took a different direction, but her love of books was ever-present. Today, she shares a home with her rescue dog, Gus, and draws inspiration from her grandchildren as she continues to write for both children and adults. Learn more at www.sandiunderwood.net and track her writing journey at www.sandiu.blogspot.com, follow her on Twitter @SandiGCY, and like her Facebook page at Sandi Underwood/gcywriter or email her at sandiu@comcast.net.

Monday, December 21, 2009

Author Nancy Kelly Allen believes in critique groups...

As one of the four members of Nancy's critique group, I echo her praise for this valuable tool. Read on to learn the importance of finding the RIGHT critique group for you:

Critique Groups Provide First-Aid for Writers
By Nancy K. Allen
Since many students will soon be on a holiday break, I’m going to write about tips for writers in a series of three blogs that focus on critique groups.

You’ve pounded the keyboard day after day, week after week, creating your story. You’ve spit-shined the revisions, rearranged the sentences, and typed the last word. Now you’re ready to kiss your manuscript good-bye and ship it off to strangers, AKA editors.Not so fast! Mailing you’re manuscript at this time may be a little premature. Consider joining a critique group. Not only will group members view your work with new perspectives, they will also provide feedback, positive and negative. The critique group will hone in on areas of quality writing, praising your efforts, and will offer examples for improvement in areas that need revision.

I’ve been writing for publication for twenty years and have had thirteen picture books and one chapter book published. During that time, I completed revision after revision, relying on my skills, alone.

A couple of years ago I joined, via the Internet, a critique group composed of four children’s writers. In that short period, my critique group has provided professional input into picture and chapter book manuscripts, making each work stronger. This group completes line-by-line, in-depth critiques, rather than general overview critiques. For me, the more specific the evaluation, the better.

Next week, Nancy provides specific detail as to how our group functions.

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